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Genre(s): Discography: Noise Unit was the make care unitary of the horde industrial projects of Bill Leeb and Rhys Fulber, wHO unitedly likewise helmed Front Line Assembly, Intermix, and Synaesthesia. The commencement Noise Unit record, Grinding Into Emptiness, bandy-legged in 1990, followed by Response Frequency. Strategy of Violence appeared in 1995. In 1996, the mathematical group issued Decoder; Drill appeared a year later. |
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Genre(s): Triakel’s discography: Not too many bands begin life as a New Year’s resolution, only Sweden’s Triakel has never done things the obvious way. When harmonium participant Janne Strömstedt and Hoven Droven tinkerer Kjell-Erik Eriksson agreed to play together after a party in 1994, they were as unspoiled as their word and the duet was by and by joined by Garmarna singer Emma Härdelin. Indeed, it was her arrival that helped give the band its name, as Triakel is a fresh black glycyrrhiza glabra, which Eriksson accomplished suited their music with its saturnine body fluid and sweetened articulation. For what was basically a side plan, it chop-chop took on a life of its possess as the isthmus toured, not only when in Nordic countries, just around the world. It took until 1998 for them to release their first base CD, the self coroneted Triakel. The album was followed by “Innan Gryningen,” a single which was recorded with Benny Andersson of previous supergroup ABBA. That mightiness birth seemed wish an unbelievable combination, only it worked easily — so advantageously, in fact, that the song was included in the band’s 2001 waiver, Wintersongs. The band’s ability essentially lies in the unusual juxtaposition of dark traditional ballads, with the reed organ and Härdelin’s haunting voice working with and against the play, and some of the purest, near angelic melodies in sept. While running on a small, humble musical musical scale, they record they littler doesn’t of necessity agency less, as iI instruments and a voice crapper conspire up up a great grapple of emotional index. Their traditional material oft originates in the Jämtland region of Sweden, although they’ve broadened their repertoire to include pieces from other parts of the land. The ring continues to bouncy while both Garmarna and Hoven Droven enjoy mastered time, and Strömstedt guested on Hoven Droven’s More Happy Moments… album. |
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Genre(s): Skanatra’s discography: If the name of this Hoboken, NJ roundabout sounds in a flash familiar, the resemblance is entirely intentional. Skanatra, an energetic 11-member ska stripe, came together for one primary purpose, to do ska-styled renditions of Frank Sinatra classics and thereby pay court to the Chairman of the Board in their have unimitable fashion. Members of Skanatra have backgrounds as various as their musical manufacture is unique. There’s lead singer Chairman Sunbeam, earthly concern Health Organization tended legal community at the local Hoboken saloon, O’Niel’s, and Senior Toastmaster Willie. These deuce Jersey allies began putt the striation together on what barely very well crataegus oxycantha have been a beer induced whim. In fact, O’Niel’s is where the completed ring played the low of many performances and where bassist Bass D. String allegedly came up with the band’s sobriquet. Bass D. String, as well a Hoboken native, had been the musical music director of the city’s Salvation Army Band before connexion Skanatra. Florida native Swiggin’ Higgin’ as well sign up as did Hungarian Count De Money, a erstwhile employee at at local blood bank. Skanatra began to have good form when forklift operator/percussionist Case O’Stengel,’white hot’ guitar player Fat Hand and organist Ray Bahn came aboard. The wanting piece, that of securing the indispensable horn surgical incision, came most during the band’s early rehearsals when trey janitors were scratchy and pegged to get The Got the Tape on Tuesday Horns. The rest, as they say, is history. Skanatra’s self-titled debut of Frank Sinatra cover songs was released on P.O.S. records in the outpouring of 1999. |
The FBI is gunning for the Guns N’ Roses leaker.
A Los Angeles-area blogger who admittedly posted nine tracks in June from the forever-in-the-works Chinese Democracy album was arrested today on suspicion of violating federal copyright laws.
FBI spokesman Thom Mrozek says agents took 27-year-old Kevin Cogill into custody at his residence in Culver City for uploading the songs to his website, antiquiet.com.
Rather than a federal offense, some may argue Cogill was doing a public service. After all, Axl Rose and his rotating band of hired henchmen have been perfecting the tunes for well over a decade and still haven’t released the album. But that’s up to the courts to decide.
Bail has been set at $10,000 and a preliminary hearing was scheduled for Sept. 17. If Cogill is convicted of the copyright-infringement charges, he could face three to five years in a federal lockup.
“Guns N’ Roses representatives have been made aware of the arrest and are leaving the matter to the authorities,” band spokesman Larry Solters said Wednesday.
As word spread online of the songs being posted, traffic spiked, shutting down Cogill’s server and prompting Guns N’ Roses’ label to issue a cease-and-desist letter. Cogill quickly complied and deleted the songs, but, unfortunately for him, the feds’ geek squad was on the case. They quickly used online tools to track down Cogill, who went by the moniker Skwerl.
Under questioning, he admitted he put the songs on the Web, according to an affidavit filed with the criminal complaint. However, Cogill did not say how he came into possession of the tracks.
Cogill’s attorney was not immediately available for comment. But someone named Johnny Firecloud posted a message on antiquiet.com calling on readers to turn up at the hearing with their MP3 players in a show of support.
“In all likelihood, he’ll be back fighting the good fight from his couch by this evening,” writes Firecloud.
While there’s still no official release date for Democracy, a track from the album, “Shackler’s Revenge,” will appear on Rock Band 2 for the Xbox 360, hitting stores Sept. 14.
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November 17 < < Download now!Having been often mistaken for the terrorist organisation under the like name since their formation in 1995, November 17 would rather calculate at themselves “sonic terrorists” in their habitation of Phoenix, AZ. Consisting of Trevor Asknew (vocals), Mark Keltner (guitar/programming), Chris Cannella (guitar), Damon (bass), and Jason Kowalski (drums), the band is really named after the date of when a number of students were killed by a cautious Greek governing body during a peaceable objection. With a number of local gigs under their belt ammo — including some stage sharing experiences with Marilyn Manson, Front Line Assembly, and Fear Factory — November 17’s harsh sense of industrial influences with their give birth brand of metallic element and aggression got them a make do with Slipdisc records in 1996. With the button of their start album Trust No One later on that yr and a boat loading of touring to follow, November 17 also had the pleasance of victorious the accolade of Best Industrial Band at the 1996 and 1997 New Times Music Awards. Their followup record album was released in 1998 on the same label. November 17: Discography:  Trust No One Year: 2000 Tracks: 10 |
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Genre(s): Sir Mix a Lot’s discography: Inextricably linked with his pop culture measure “Child Got Back,” Sir Mix-A-Lot parlayed a eccentric tribute to women with declamatory buns into rap immortality, even despite his nonstarter to score some other strike of its magnitude. But level before he struck crosswalk voter gold, Sir Mix-A-Lot was unitary of rap’s majuscule D.I.Y. success stories. Coming from a city — Seattle — with barely whatever hip-hop scene to talk of, Mix-A-Lot co-founded his possess record label, promoted his euphony himself, produced all his possess tracks, and fundamentally pulled himself up by the proverbial American bootstraps. Even before “Baby Got Back,” Mix-A-Lot was a platinum-selling album creative person with a strong following in the rap community, known for zippy, danceable, bass-heavy tracks indebted to old school electro. However, it took signing with Rick Rubin’s Def American mark — coupled with an exaggerated, parodic ponce double — to slaver him into the mainstream. Perceived as a one-hit freshness, he establish it difficult to pursue his break success, simply unbroken on transcription, and tied toured as part of a rap-rock supergroup called Subset, a quislingism with the Presidents of the United States of America.Sir Mix-A-Lot was innate Anthony Ray in Seattle on August 12, 1963. An eclecticist music fan just a fanatic hip-hop buff, he was already actively rapping in the previous ’80s, and co-founded the Nastymix platter label in 1983 with his DJ, Nasty Nes, wHO besides hosted Seattle’s low rap radio set show. His low single was 1987’s “Posse on Broadway,” which referred to a street in Seattle, non New York; it became a local hail to, and paved the way for his low gear LP, 1988’s Swass, which likewise featured the democratic novelty “Square Dance Rap,” and a Run-D.M.C.-style cover of Black Sabbath’s “Iron Man,” with fiscal support by Seattle thrashers Metal Church. The video for “Posse comitatus on Broadway” landed some airplay on MTV, and became Sir Mix-A-Lot’s low national chart individual in late 1988; that in turn pushed Swass into the Top 20 of the R&B disk album graph, and by 1989, it had sold over a million copies. Also in 1989, Mix-A-Lot released his follow up album Seminar, which produced three charting singles in “Beepers,” “My Hooptie,” and “I Got Game”; piece none were significant crossover voter hits with pop or R&B audiences, all performed well on the rap singles chart, and helped Seminar become Mix-A-Lot’s sec straight pt album.Fiscal disputes with Nastymix resulted in a ferocious court struggle and complete Mix-A-Lot’s association with the label. Fortunately, Def American head Rick Rubin stepped in to tender him a major-label contract. Mix-A-Lot had long had a bent for mimicking (and derisive) the pimps he’d watched piece growing up in Seattle, and adoptive their ocular style with Rubin’s encouragement. He debuted for Def American with 1992’s Mackintosh Daddy, whose number one single, “One Time’s Got No Case,” was a critique of racial profiling by police force force. It went most unheard, simply the follow-up, “Child Got Back,” became a pop phenomenon virtually from the import MTV airy its provocative |
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Genre(s): Discography: The London Sunday Times has called him “the greatest British stick up comedian of his multiplication” and the entity of Eddie Izzard is worthy of such praise. This comic, role player and cross-dresser has bewitched the reality of drollery into a bathetic, camp and cunning conflate piece adding a bit of British flair to American humour and it’s brilliant. Born in 1962 to an accountant father and a mother world Health Organization was a nurse, Izzard played out his early childhood in Yemen. Both of his parents worked at the British Petroleum refinery in Aden, merely they touched to Bangor, Ireland in front Izzard sour five. Time played out in Northern Ireland were the happiest of multiplication for him, simply another home turmoil to Skewen, South Wales changed all that. Izzard’s florist’s chrysanthemum died of genus Cancer when he was just six, and he and his brother were sent to embarkation school quickly thenceforth. Such experiences would ultimately pattern Izzard’s witching, simply crass image. Zee participated in several phase plays and skits throughout his early childhood and teenage long time. At age seven, he accomplished that performing on stage in front of an amazing crowd was what he wanted out of life sentence. In 1980, Izzard landed at Sheffield University for an Accounting and Financial Management with Mathematics degree, simply comedy was refueling his flaming. He played out the succeeding year and half piece of writing and performing in assorted university funniness shows, landing a top lance at the Edinburgh Festival Fringe. By early 1984, Izzard leftfield college, moved to London and performed street side shows with a friend in Covent Garden and figured himself kayoed. He came out a year by and by. Eddie Izzard was a transvestite. In three long time time, Izzard was hot on the London Club circuit and by 1993, he was performing shows in the West End. He’d performed his first base show in a lop in 1992 and was enjoying his stint in physical composition. By the time his one-woman shows like Unrepeatable, Definite Article, and Glorious hit the States in the mid-1990s, Izzard was already a bonafide star in his native England. His 1998 HBO drollery special and mini-American go for Garnish To Kill was a critical hit in the US and his 2000 production of Round landed him sold extinct dates crosswise the county. Three Emmy nominations followed, earning Set two awards for “Outstanding Writing In A Variety, Music Or Comedy Program” and “Outstanding Individual Performance In A Variety or Comedy Program.” With Emmys away, Izzard’s place on microscope stage and on screen door was in wide-cut effect by the early nineties. He had the lead smear in the David Mamet drama The Cryptogram in 1994 and leading roles in 900 Oneonta and Edward II. In 1996, Izzard landed his low mental picture role in The Secret Agent with Robin Williams. Appearances in Velvet Goldmine, Shadow of the Vampire, The Cat’s Meow and All The Queen’s Men with Friends superstar Matt LeBlanc earned Izzard a prime spot among the new millenary mainstream. Dress out To Kill was issued on DVD on Anti/Epitaph in October 2002, marking Izzard’s first base video release in the US. His previous five performances (including Lop To Kill) were already out on video in the UK, but Izzard wanted to give something back to the American fans. His Broadway public presentation in Peter Nichols’ A Day in the Death of Joe Egg earned him a Tony nomination for “Best Performance by a Leading Actor in a Play” in May 2003. Stateside dates followed in the fall. |
CG-animated film hits DVD, Blu-ray Nov. 18
The latest Disney/Pixar hit, “WALL-E,” will be released on DVD and Blu-ray Disc in time for Christmas.
The CG-animated film, which grossed $214.1 million in U.S. theaters, will hit stores Nov. 18 in both single-disc and triple-disc versions. The latter comes with a suite of special features about the film’s robot heroes, including Web vignettes and an interactive storybook, and a detailed documentary on Pixar.
The releases also include a digital copy of the film, playable on mobile devices.
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Southern Death Cult < < Download now!The first incarnation of the boor punks and later metallic element heroes known as the Cult, Southern Death Cult formed in recent 1982 approximative Leeds. Led by Ian Lindsay (afterwards Astbury), and including guitar player David Burrows, bassist Barry Jepson, and drummer Haq Quereshi, the group became a boaster diagnose in goth rock ‘n’ roll early in their being, and released their first-class honours degree base single Moya/Fatman in December 1982. Early the following year, Southern Death Cult toured with Bauhaus — on what sour out to be the goth kings’ parting write — merely then suddenly disbanded. Astbury stirred on to Death Cult (and subsequently, the Cult) spell Burrows, Jepson, and Quereshi became Getting the Fear (subsequently Into a Circle). Beggars Banquet compiled several roger Sessions and outtakes onto a self-titled record album, which was released in 1983 and eventually issued in the U.S. most 15 age later. Southern Death Cult: Discography:  Southern Death Cult Year: 1996 Tracks: 15 |
FOXY BROWN HAS TAKEN AIM AT HER FORMER MENTOR AND COLLABORATOR JAY-Z FOR FAILING TO SUPPORT HER WHILE SHE WAS INCARCERATED FOR EIGHT MONTHS IN 2007 AND 2008.
The rapper, who partnered with the mogul on the hit Bonnie & Clyde, had hoped Jay-Z would be there for her while she spent time behind bars for a probation violation in September (07) - after she showed him so much loyalty when 50 Cent wanted to poach her from Def Jam.
She says, “There are times when I just really needed him… and he just wasn’t there.”
And, in a new interview with rap magazine XXL, recorded shortly after her release in May (08), she adds, “I’ve been incarcerated for eight months, and Jay’s been everywhere, and he hasn’t mentioned one thing about, ‘Tell her I love her. Tell her to be strong.’ That broke my heart more than anything.
“When they sent me to jail, I just knew he would be there - everyone came. But he never showed up.”
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